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Printmaking is a paper-based practice that makes visual, and aware of my thinking through inscribed/invisible rules that guide our, and my understandings of practices of accumulation, gathering and administration, socio-political and otherwise.

Some are traumatic, some joyous.

The prints attempt to make these relations visible

prints printed by  artist in collaboration with Danger Gevaar Ingozi Studio; David Krut Projects, and Chocolate Ink Studio

Statistical-Weakness-LR.jpg

Statistical Weaknesses, 2018, hardground etching and handpainting, variable edition size: 10, 39cm x 39cm

They Warned Us Years Ago.jpg

They Told Us Years Ago, 2018, monoprint, 30cm x 25cm

Non-Revolution of The Kids.jpg

Non-Revolution of The Kids, 2018, monoprint, 30cm x 25cm

Projector Squares.jpg

Projector Squares, 2016, 3 colour screenprint, 35cm x 50cm

Instruments of Orbit.jpg

Instruments of Orbit 2016, 3 colour screenprint, 35cm x 50cm

Gardens of the Future.jpg

Gardens of The Future, 2016, 3 colour screenprint, 35cm x 50cm

The Classic.jpg

The Classic, 2018, monoprint, 30cm x 25cm

The Randon Train Station.jpg

The Random Train Station, 2018, monoprint, 30cm x 25cm

Crowd%20Control_edited.jpg

Crowd Control, 2018, monoprint, 30cm x 25cm

Trap Psychology.jpg

Trap Psychology, 2018, monoprint, 30cm x 25cm

Everyday People.jpg

Everyday People, 2016, 3 colour screenprint, 35cm x 50cm

Words The Internet Cant Handle.jpg

Words the Internet Can't Handle, 2016, 3 colour screenprint, 35cm x 50cm

Infinity Rooms.jpg

Infinity Rooms, 2018, monoprint, 30cm x 25cm

Struggles.jpg

Struggles, 2018, monoprint, 30cm x 25cm

Another Cheap Shot at Bad Administration

Another Cheap Shot at Administration, 2018, monoprint, 30cm x 25cm

Political Signals.jpg

Political Signals, 2018, monoprint, 30cm x 25cm

A Million Reciepts.jpg

A Million Reciepts, 2018, monoprint, 30cm x 25cm

Plantations and Televisions.jpg

Plantations and Televisions, 2018, monoprint, 30cm x 25cm

The Elders.jpg

The Elders 2016, 3 colour screenprint, 35cm x 50cm

Pebofatso-Mokoena_3-out-of-4-Progress-to

3/4 Progress on The Edge of Play, 2019, 6-colour silkscreen on Cartiere Enrico Magnani 300gsm, 38cm x 27cm, edition of 25

Pebofatso Mokoena Aston Martin.jpg

“¾ Progress on the edge of play is rooted as a response to commercial lineages and traces that continue to have a profound influence on South Africa – often cutting through educational, geographical, institutional and  other social-political and psycho-social environments.

The economic relationship to value, mass accumulation, cultures, and economics is a game far too often played on paper.

Numbers consistently are added, subtracted, divided and multiplied with ease – notwithstanding that these mathematical measures have fundamental and real effects on people that deal with the reverberations physically. People cannot eat numbers for breakfast and dinner.”

Pebofatso Mokoena 2019

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