printmaking functions as a practice of thinking through the architectures of administration, family life and data. These formations are almost always invisibly traumatic or joyous. 

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The prints attempt to make these relations, visible

prints printed by  artist in collaboration with Danger Gevaar Ingozi Studio; David Krut Projects, and Chocolate Ink Studio

Statistical Weaknesses, 2016, 3 colour screenprint, 35cm x 50cm

Gardens of The Future, 2016, 3 colour screenprint, 35cm x 50cm

Words the Internet Can't Handle, 2016, 3 colour screenprint, 35cm x 50cm

The Elders 2016, 3 colour screenprint, 35cm x 50cm

Projector Squares, 2016, 3 colour screenprint, 35cm x 50cm

Instruments of Orbit 2016, 3 colour screenprint, 35cm x 50cm

Statistical Weaknesses, 2018, hardground etching and handpainting, variable edition size: 10, 39cm x 39cm

Crowd Control, 2018, monoprint, 30cm x 25cm

The Classic, 2018, monoprint, 30cm x 25cm

Non-Revolution of The Kids, 2018, monoprint, 30cm x 25cm

unavailable

They Told Us Years Ago, 2018, monoprint, 30cm x 25cm

Trap Psychology, 2018, monoprint, 30cm x 25cm

The Random Train Station, 2018, monoprint, 30cm x 25cm

Struggles, 2018, monoprint, 30cm x 25cm

Infinity Rooms, 2018, monoprint, 30cm x 25cm

Another Cheap Shot at Administration, 2018, monoprint, 30cm x 25cm

Plantations and Televisions, 2018, monoprint, 30cm x 25cm

Political Signals, 2018, monoprint, 30cm x 25cm

A Million Reciepts, 2018, monoprint, 30cm x 25cm